Senin, 10 September 2012

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Scranimals, by Jack Prelutsky

We're sailing to
Scranimal Island,
It doesn't appear on
most maps....

Scranimal Island
is where you will find
the fragrant RHINOCEROSE,
the cunning BROCCOLIONS.
And if you are really, really lucky
and very, very quiet,
you will spot
the gentle, shy PANDAFFODIL.
(You may even hear it yawning
If the morning's just begun,
Watch its petals slowly open
To embrace the rising sun.

So put on your pith helmet and prepare to explore a wilderness of puns and rhymes where birds, beasts, vegetables, and flowers have been mysteriously scrambled together to create creatures you've never seen before -- and are unlikely to meet again! Your guides -- Jack Prelutsky, poet laureate of the elementary school set, and two-time Caldecott Honor artist Peter Sis -- invite you to join them on an adventure you will never forget!

  • Sales Rank: #8853125 in Books
  • Brand: Brand: Greenwillow Books
  • Model: FBA-|276565
  • Published on: 2002-09-03
  • Released on: 2002-09-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .34" w x 11.00" l, 1.27 pounds
  • Binding: Library Binding
  • 48 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Poet Jack Prelutsky again pairs up with two-time Caldecott Honor artist Peter Sís to create Scranimal Island, a fantastical, off-the-map place inhabited by unusual animals from Hippopotamushrooms to Potatoads to a pride of Broccolions. A boy and girl on a scooter, equipped with essentials from umbrella to inner tube, fly from habitat to habitat over Sís's dreamy, mountainous landscapes à la Tibet: Through the Red Box. They make their way through the clutch of Spinachickens, past the Camelberta Peaches to the "Sweet Porcupineapple, / Unflappable chap, / You happily amble / All over the map." Prelutsky's biological inventions are as clever as they are silly, and it's wonderful that kids are allowed to figure out the hybrid themselves in Rhinocerose, Cardinalbacore, etc. Prelutsky's glee is contagious, and kids will get a kick out of the wordplay in poems like "Oh Sleek Bananaconda": "You slither on your belly, / And you slither on your chin. / You're only unappealing / As you shed your slinky skin." Pronunciation guides for each creature garnish each page, in case you can't pronounce Toucanemones right off the bat, and an iconic guide to the island's animals adorns the table of contents page. Gorgeous endpapers reveal Sís's map of Scranimal Island and its curious denizens. It's impossible to pick a favorite, between the unbelievably cute Pandaffodil and the detested Radishark. Highly recommended. (Ages 6 to 10) --Karin Snelson

From Publishers Weekly
The meisters of madcap are at it again. This time, Prelutsky and Sis (The Dragons Are Singing Tonight) head off on safari to Scranimal Island, an exotic spot full of odd hybrid creatures just ripe for their devious brand of silliness. Whether tracking a caravan of Camelberta Peaches ("All have humpy, bumpy backs, Stocked with water, juice, and snacks, So the creatures never need Wonder where to drink or feed"), avoiding the clutches of the dread Radishark ("Its appalling, bulbous body Is astonishingly red, And its fangs are sharp and gleaming In its huge and horrid head") or spying on the Bananaconda ("How sinuous and sly you are, How slippery, how yellow"), they scramble up a smorgasbord of flora and fauna. Prelutsky tweaks language with his characteristic glee, wedging in plenty of humor ("Poor Avocadodos, Ungainly and green, You're gone from today's Biological scene") and, as always when Si s is on board, his exquisite artistry raises the bar, adding depth to Prelutsky's light verse. Plying his trademark delicate line and crosshatching, Si s sets off the fantastic creatures against spare, expansive vistas, investing the muted ink-and-watercolor illustrations with a quizzically visionary style. A pair of brightly clad young explorers lurk at the edge of each scene, adding a droll visual grace note. All ages.
Copyright 2002 Cahners Business Information, Inc.

From School Library Journal
Grade 2-5-Prelutsky introduces the curious inhabitants of Scranimal Island through his skillful and captivating poems. The creatures, such as the Mangorilla and Orangutangerine, are each a cross between an animal and a fruit, vegetable, or flower, and behave accordingly. For instance, "On a bump beside a road/Sits a lowly POTATOAD,/Obviously unaware/Of its own existence there./On its coarse and warty hide,/It has eyes on every side,/Eyes that fail, apparently,/To take note of what they see." S's's illustrations are a wonderful combination of the eerie and humorous (readers might be reminded of his fantastical island in Komodo! [Greenwillow, 1993]), and give children a visual clue as to the creature's elements, in case they haven't figured it out yet. (A rebus-like chart on the back cover is more explicit, illustrating "potato + toad = potatoad", etc.) Hippopotamushrooms smile benevolently from their forest floor, the Pandaffodil munches bamboo beatifically, majestic Broccolions stalk the lithe Antelopetunia. These black-line and watercolor illustrations in a light palette take up three-quarters of each spread; the verses, in large and legible black type, accompany them on a pastel-tinged antique paper background. On occasion on this island, readers may come across a creature that is a cross of two animals (no plant matter involved), such as the Ostricheetah or the Stormy Petrelephant. Though as eloquently described, they are simply not as funny as the Porcupineapple or the Avocadodos, and somehow spoil the fun. The point of nonsense, after all, is to stick to the rules-just, the wrong rules. Nevertheless, Prelutsky and S's have pulled off something great here-it is their best collaboration to date.
Nina Lindsay, Oakland Public Library, CA
Copyright 2002 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Fantastic read for children of all ages
By Amazon Customer
Jack Prelutsky books have become a special bond between my 6 year old son and I. He has this book, Behold the Umbrellaphant, and Stardines, and we both love the silly poetry. We both also like music, so the rhythm of the poems is fun as we can almost sing it. He loves the wackiness and thoroughly enjoys the pictures. The silly names of the animals are fun for him to try and sound out, so not only is it fun for me to read to him, but he also is learning about words as he reads it to me, without even realizing it. I'd buy any book by Prelutsky and recommend them for anyone with children of any age (my 10 year old daughter loves them as well).

0 of 0 people found the following review helpful.
Great book
By Kate W.
My son loves this book. Such a silly mix up of animals and food, with very catchy rhymes. My 3.5 yr old has most of them memorized and does not tire of hearing them again and again. It has also helped to broaden his vocabulary. So happy Amazon had it in hardcover, the first time I looked for it, a few months back, I could only find paperback.

0 of 0 people found the following review helpful.
Learning about literature while having fun? You bet!
By amanooensis
I was intrigued and amused to see another reviewer say her children were obsessed with "Scranimals" -- because that's the same reaction we got with our kid!

Jack Prelutsky evidently knows the secret of how to captivate children, especially when teamed up with illustrators like Peter Sis. Nearly every Prelutsky book that enters our home gets the same treatment: fascination, amusement, and above all, lots of reading and re-reading.

One might say that this is not Prelutsky's most ingenious work, since it's basically a single concept stretched out into a series of variations, not all of which are equally clever. But there's more to it than that. The illustrations are compelling and fun. And much of the poetry is more highly-crafted than one might expect, given the silly first impression the book makes.

A great example is the description of the "Bananaconda" (that word alone always makes ME laugh!) in which the author slathers syballant syllables in silly sequences. I took the opportunity to point out to our first-grader how a poet describes things differently than other kinds of writers.

I then read it aloud to demonstrate that point, sssimply by exsstending each of the esses on the page. At that point, most kids can make the connection between the sound of the words, and their understanding of "S" as the sound made by a snake -- something many of them learn in preschool, if not earlier.

And of course those words were written ABOUT a snake. For a kid to learn that words can have multiple layers of meaning, and to learn that concept at such an early age... well, that's really something. And Prelutsky is one of the best at delivering that kind of depth, even when combined with utter silliness.

In short, Scranimals is definitely a worthy addition to any child's collection, at nearly any age.

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Jumat, 07 September 2012

[V375.Ebook] PDF Ebook The Story of Prophecy, by Hannah Grad Goodman

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The Story of Prophecy, by Hannah Grad Goodman

  • Sales Rank: #3698777 in Books
  • Published on: 1965
  • Number of items: 1
  • Binding: Hardcover
  • 248 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great book to gain an understanding of the prophets
By Josh Morris
This was an easy to read (7th-8th grade level) book, that led the reader through the writings of the prophets. The author explained prophecy in the Jewish context and she explained historically what the prophets were talking about coming full circle to reveal the modern relevancy of the prophet's writings.

I highly recommend this book. Gaining an understanding of the prophets has given me an even greater appreciation for Judaism and a greater love for our prayer books (which contain many references to writings of the prophets).

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Senin, 03 September 2012

[R774.Ebook] Download PDF On Film-making: An Introduction to the Craft of the Director, by Alexander Mackendrick

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On Film-making: An Introduction to the Craft of the Director, by Alexander Mackendrick

A priceless examination of the filmmaker's craft, from the renowned director of Sweet Smell of Success

After more than twenty years in the film industry as a screenwriter, storyboard editor, and director of memorable films such as The Ladykillers, Alexander Mackendrick turned his back on Hollywood and began a new career as the Dean of one of the country's most demanding and influential film schools. His absolute devotion to the craft of filmmaking served as a powerful impetus to students at the California Institute for the Arts for almost twenty five years, with a teaching style that included prodigious notes, neatly crafted storyboards, and handouts containing excerpts of works by Kierkegaard, Aristotle, and others. At the core of Mackendrick's lessons lay a deceptively simple goal: to teach aspiring filmmakers how to structure and write the stories they want to tell, while using the devices particular to the medium of film to tell their stories effectively.

In this impressive volume, edited by Paul Cronin, the myriad materials that made Mackendrick's reputation as an instructor are collected for the first time, offering a chance for professionals as well as students to discover a methodology of filmmaking that is challenging yet refreshing in its clarity. Meticulously illustrated and drawing on examples from such classic films as North by Northwest, Citizen Kane, and Touch of Evil, Mackendrick's elegant lessons are sure to provide inspiration for a new generation of filmmakers.

  • Sales Rank: #15819 in Books
  • Published on: 2005-08-31
  • Released on: 2005-08-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.95" h x .96" w x 5.97" l, 1.15 pounds
  • Binding: Paperback
  • 336 pages

About the Author

Alexander Mackendrick directed several films, including The Man in the White Suit, which earned him an Oscar Nomination for Screenwriting. He died in 1993.

Paul Cronin is the editor of Herzog on Herzog.

Most helpful customer reviews

43 of 47 people found the following review helpful.
How To Make Movies, Good Movies
By Rob Hardy
Shaw said, "Those who can, do; those who can't, teach." In a strange way, Alexander Mackendrick fits both sides of that dictum. "Sandy" Mackendrick was an accomplished film director. After having worked in advertising, he started making films for the British Government during World War II. After the war he wrote scripts and he began directing. For the Ealing Studios, he made _Whiskey Galore!_, _The Man in the White Suit_, and _The Ladykillers_. Then he came to Hollywood, where he made the wonderfully biting _Sweet Smell of Success_. He could direct fine movies, and he did; but then he slipped into the "can't do" category, not for any lack of talent, but because he was not much of a deal-maker, and resented having to negotiate details with the studios. He started teaching, becoming dean of the film school at the California Institute of the Arts in 1969. He continued teaching until his death in 1993, but now filmmakers and audiences can get a glimpse of what he taught, in _On Film-making: An Introduction to the Craft of the Director_ (Faber and Faber). It is a sampling of his lecture handouts, some illustrated by his own sketches, that he delivered to students over the years, and shows the richness of his thinking on the surprising complexities of artistic decisions regarding even simple shoots on tiny films. Those who enjoy movies, but don't know much about how they are made, will be astonished at how many details of technique the director has to consider before anyone yells "Action!" Those who make movies, or want to, could not do better than to study what Mackendrick has to say.

Mackendrick emphatically agrees with Truffaut, who in his interview book with Hitchcock wrote, "Whatever is _said_ instead of being _shown_ is lost on the viewer." (One of Mackendrick's many slogans: "Movies SHOW... and then TELL.") Always, regard to the audience is paramount: "Try to tell the story while always remembering that the audience has somewhere better to go and something better to do." Like a good storyteller, use curiosity, expectation, and suspense to keep them buttonholed. The reader of this book will want to be familiar with certain films to which Mackendrick returns again and again, like _The Third Man_ or _On the Waterfront_, but not all the cinema is fine cinema. In a chapter titled "Plausibility and Willing Suspension of Disbelief," he discusses the sci-fi film _Them!_ which he says is a "piece of nonsense" but shows solid, simple plot mechanisms, and follows the rule that "we are allowed only one major Incredible Thing" (Giant ants are invading!) while "everything else in the story should actually be logical, even over-logical." There is rich advice about dealing with actors. A student who asked, "How does a director get an actor to do what he wants?" took Mackendrick off guard, as he had never asked the question in those terms. It's the wrong question. "You don't," came the eventual answer, "You try to get the actor to want what you need."

Mackendrick knows you can't teach the art and inspiration that directors have to have intuitively, though there is a useful chapter titled "A Technique for Having Ideas." The craft involved in direction, though, has a possibility of being taught, and he has here covered the craft from scriptwriting through editing. I only sit in audiences for films (and the intimidating muster of factors Mackendrick brings up that the director must consider tells me I am in the right spot in front of the screen, not behind the camera), but I have a much better appreciation for what a director does after reading these fine instructions. I also wish that every director now working would simply follow these rules. The principles here, if followed universally, would benefit directors, audiences, and the quality of Hollywood's output, not to mention its bottom line.

23 of 24 people found the following review helpful.
One of the very best books on filmmaking
By Nathan Jongewaard
I have read many books on filmmaking and I have a film school degree (from CalArts, as it happens, where Mackendrick once taught). You can't learn filmmaking from a book or from school, only by making films. Nevertheless, "On Film-making" comes as close as any book I've ever found to explaining precisely and beautifully the work of a film director. Whether you want to make films or are simply a film fan, this book will be an immensely rewarding and illuminating experience.

6 of 6 people found the following review helpful.
A great book for writers, not just directors
By The Doogster
I've got over fifty books dealing with all types of writing (screen, novels, TV), and this is one of only a handful I consider truly essential. The first half of the book examines screenplays. Most books on filmmaking give only a cursory glance at the screenplay, but we writers know that the screenplay is the most important part of the film, don't we!

Mackendrick is one of an elite group of filmmakers who excelled in both screenwriting and directing. His insights are profound. His "writer's wall" quotes are equal to the entire content of many other books on screenwriting.

Mackendrick is basically the bridge between classical and modern cinematic writing. He emphasises that what is going to happen NEXT, as opposed to what is happening NOW, is the core of good storytelling. He also teaches that the preparatory period before a significant event AND the after effects of that event are equally or more dramatically significant than the actual event itself (as demonstrated by a movie like Reservoir Dogs). Mackendrick's book is one of the few which covers such advanced concepts as negative action, activity versus action, and plot density. The only area I don't agree with him is his dislike of flashbacks (although he has valid reasons).

I judge a book by how many notes I take when reading it. I took a lot of notes when reading this one. Now go and buy it!

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Kamis, 30 Agustus 2012

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Damn! Why Didn't I Write That?: How Ordinary People Are Raking in $100,000.00... or More Writing Nonfiction Books & How You Can Too!, by M

More nonfiction books are breaking the 100,000-copy sale barrier than ever before. Amateur writers, housewives, and even high school dropouts have cashed in with astonishingly simple best-sellers. This guide, by best-selling author Marc McCutcheon, shows the reader how to get in on the action by identifying lucrative publishing niches and filling them, not once, not twice, but year after year.

  • Sales Rank: #823961 in Books
  • Brand: Brand: Linden Publishing
  • Published on: 2006-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.96" h x .55" w x 6.14" l, .78 pounds
  • Binding: Paperback
  • 253 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Forget everything you've heard about the travails of the freelance writer. In Damn! Why Didn't I Write That?, Marc McCutcheon contends that "you can learn the trade and begin making a respectable income much faster than most people think possible." To illustrate, McCutcheon lists 17 pages of bestselling titles, including Bear Attacks: Their Causes and Avoidance (150,000 copies sold) and Golfing, a humor book (525,000 copies sold). McCutcheon himself wrote a few well-chosen titles and claims to be "easily support[ing] a family of four, working part-time." How? Think niche, says McCutcheon. Think backlist. Think about perennially hot topics like dieting/weight loss, relationships, parenting, health, low-fat cooking, sex, spirituality, money/finances, cats, career and leadership, and computer and Internet. McCutcheon is quite helpful about things like contract negotiation, agents, proposals, and promotion. He also confers a real can-do attitude on his readers. "In the corporate world," he says, "tall, beautiful people rule. In the writing world, even Yoda can climb to the top of the success ladder." --Jane Steinberg

From Library Journal
The title says it all. This combination pep-talk/how-to guide by best-selling author McCutcheon (Roget's Super Thesaurus) offers encouragement to amateur writers who want to support themselves (and their families) by writing. Demonstrating how lucrative the publishing industry can be for the right idea at the right time, McCutcheon describes the process from idea, research, query letters, and proposals to agents, contract negotiations, and promotion. At each step, he offers insights from personal experience and shares the experiences of several well-known best-selling authors. Chapters provide suggestions to develop habits that will lead to successful full-time writing, with tips like reading trade journals on a regular basis and clipping articles from magazines and newspapers to jumpstart research. The summary of provided is a list of helpful magazines, web sites, and organizations and a descriptive sample of standard formats for manuscript submission. Not much is new here, but the commonsense approach is both upbeat and practical. A worthwhile addition for libraries supporting writing programs. Denise S. Sticha, Murrysville Community Lib., PA Copyright 2001 Cahners Business Information.
Copyright 2001 Reed Business Information, Inc.

Review
""Goes far beyond most books covering nonfiction book writing. . . . Well written and to the point. If you truly want to write nonfiction books that will help others while providing you with a good income, this is the book for you!"" --www.bellaonline.com

Most helpful customer reviews

136 of 144 people found the following review helpful.
Damn! Why didn't I write this FIRST?
By M. Murphy
Many 'how-to-get-published' books are vague in the concept of writing, but strong on the proposal and submittal of manuscripts. Marc McCutcheon makes his book stand out with specifics for getting your writing noticed, published, and sold. His writing style is casual and humorous, yet professional. I found it to be easy to read, inspiring, and factual. He puts in print what I've been thinking for years as I browsed through the latest Thousands-of-Reasons-to-Make-Maccaroni-type titles: I could've written that...I'm not even a PhD and I could've done that, and so-on.
McCutcheon's tips on writing are very concise and motivating, with a fresh delivery of facts, not rehashing. The book also contains a thorough section of resources; from finding an expert on your nonfiction topic of choice, to a glossary of publishing terms for newbies. You'll find examples of query letters McCutcheon used himself to sell his books, as well as sample contracts with translations from legalese into normal language.
He lists several success stories of everyday people who sold blockbusters. Common obstacles are addressed such as not having a degree (he is a high-school dropout himself), whether your idea is promotable, contract negotiation, and how to research. You are shown that with the right tools and hard work, anyone can do it.
Once believing I might be able to write a non-fiction book and get it published, I now KNOW it. This is a must-read.

53 of 54 people found the following review helpful.
Great information, complete direction
By Harold McFarland
The common conception about writing as a career is that it is difficult to get into and produces many "starving" artists. While this may be true in many situations, Marc McCutcheon argues convincingly that it is not necessarily the case when it comes to nonfiction writing. According to the author over 50,000 new books are published each year, but only about 3,500 of them are fiction. As a result, most of the competition is in the fiction area. The nonfiction area is by far the easiest one in which to become published.
The author relates how even a beginning writer can learn to write nonfiction and start making a living as a writer much faster than commonly believed. The book is filled with the necessary details of not only writing a great nonfiction work but also how to handle contract negotiations, why you need (or don't need) an agent, writing proposals, marketing and just about any other subject that the writer may need to know.
Throughout the book, McCutcheon encourages the new writer and points out that many top selling titles were written by ordinary people without any special writing skills or training. A book that should be on the bookshelf of all writers, I can't recommend it highly enough.

75 of 81 people found the following review helpful.
If you are serious about non-fiction- BUY THIS BOOK!
By Barb W.
I had an idea buzzing around for a non-fiction book, I wound up buying "Damn! Why Didn't I Write That?" as the title grabbed my interest and I needed more information on writing proposals.

I stayed up all night reading this engaging book. The next day I began hashing my proposal out, following the wisdom and guidance found in the book. Six months later and I've just been offered a contract from McGraw Hill! I think that speaks volumes!

This book will inspire you! Marc McCutcheon offers all the tools, motivation, and information needed to get started. It's no mystery that you have to add the "ideas",the writing talent, and the perserverance, but the rest of what you need, will be found in the pages of "Damn! Why Didn't I Write That?"

Thank you Marc McCutcheon for producing such a quality book!

Regards,

B.A.Webb

[...]

See all 90 customer reviews...

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Rabu, 29 Agustus 2012

[S298.Ebook] Download PDF Basic and Clinical Immunology: with STUDENT CONSULT access, 2e, by Mark Peakman MBBS PhD FRCPath, Diego Vergani MD PhD FRCPath FRCP

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Basic and Clinical Immunology: with STUDENT CONSULT access, 2e, by Mark Peakman MBBS  PhD  FRCPath, Diego Vergani MD  PhD  FRCPath  FRCP

Basic and Clinical Immunology: with STUDENT CONSULT access, 2e, by Mark Peakman MBBS PhD FRCPath, Diego Vergani MD PhD FRCPath FRCP



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Basic and Clinical Immunology: with STUDENT CONSULT access, 2e, by Mark Peakman MBBS  PhD  FRCPath, Diego Vergani MD  PhD  FRCPath  FRCP

Within this one volume both basic science and clinical immunology are demystified for the medical and other health sciences student. The basic immunological processes are described first, with a level of detail restricted to what is appropriate for medical (and similar) curricula. In the second part of the book, immunological mechanisms behind major diseases of the various body systems are explained. Throughout the text clinical details are highlighted and more in-depth material is differentiated from the main text.

  • Sales Rank: #1843789 in Books
  • Published on: 2009-05-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.67" h x .73" w x 8.31" l, 2.57 pounds
  • Binding: Paperback
  • 352 pages

Review
"This book was a joy to read and both authors deserve credit for putting across difficult concepts of immunology in a very simple and effective way...This book is highly recommended to medical students, trainee clinical scientists and speciality medical trainees to master the concepts of basic immunology." The Bulletin, October 2009

Most helpful customer reviews

2 of 2 people found the following review helpful.
Very good text book of immunology
By A YEO
I found this a very suitable text for the teaching of entry-level immunology as it is very clearly written and also amply illustrated with excellent graphics and flow diagrams. It has been a very well received set text (adopted since 1999) for the two immunology modules that we teach in our polytechnic diploma course in medical laboratory technology. My students, in particular, very much like the short summaries which are in point form for easy revision. One possible drawback is a missing chapter on commonly used techniques in diagnostic immunology - whilst this book is not intended as a manual of laboratory methods, we would have loved to read about the various principles & applications, explained in the authors' succinct style, thus making it a comprehensive text.

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Minggu, 26 Agustus 2012

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Blake Crouch - The Wayward Pines 3-in-1 Collection: Pines, Wayward, The Last Town (The Wayward Pines Series), by Blake Crouch

The entire Wayward Pines Trilogy in one collection.

Pines
The international runaway bestseller is now a Major Television Event from executive producer M. Night Shyamalan, starring Matt Dillon and premiering May 14th on FOX.

Secret service agent Ethan Burke arrives in Wayward Pines, Idaho, with a clear mission: locate and recover two federal agents who went missing in the bucolic town one month earlier. But within minutes of his arrival, Ethan is involved in a violent accident. He comes to in a hospital, with no ID, no cell phone, and no briefcase. The medical staff seems friendly enough, but something feels…off. As the days pass, Ethan’s investigation into the disappearance of his colleagues turns up more questions than answers. Why can’t he get any phone calls through to his wife and son in the outside world? Why doesn’t anyone believe he is who he says he is? And what is the purpose of the electrified fences surrounding the town? Are they meant to keep the residents in? Or something else out? Each step closer to the truth takes Ethan further from the world he thought he knew, from the man he thought he was, until he must face a horrifying fact―he may never get out of Wayward Pines alive.

2013 International Thriller Award Nominee

Wayward
The second book in the Wayward Pines Series―now a Major Television Event from executive producer M. Night Shyamalan, starring Matt Dillon and premiering May 14th on FOX.

Welcome to Wayward Pines, population 461. Nestled amid picture-perfect mountains, the idyllic town is a modern-day Eden…except for the electrified fence and razor wire, snipers scoping everything 24/7, and the relentless surveillance tracking each word and gesture.

None of the residents know how they got here. They are told where to work, how to live, and who to marry. Some believe they are dead. Others think they’re trapped in an unfathomable experiment. Everyone secretly dreams of leaving, but those who dare face a terrifying surprise.

Ethan Burke has seen the world beyond. He’s sheriff, and one of the few who knows the truth―Wayward Pines isn’t just a town. And what lies on the other side of the fence is a nightmare beyond anyone’s imagining.

The Last Town
The third book in the Wayward Pines Series―now a Major Television Event from executive producer M. Night Shyamalan, starring Matt Dillon and premiering May 14th on FOX.

Secret Service agent Ethan Burke arrived in Wayward Pines, Idaho, three weeks ago. In this town, people are told who to marry, where to live, where to work. Their children are taught that David Pilcher, the town’s creator, is god. No one is allowed to leave; even asking questions can get you killed.

But Ethan has discovered the astonishing secret of what lies beyond the electrified fence that surrounds Wayward Pines and protects it from the terrifying world beyond. It is a secret that has the entire population completely under the control of a madman and his army of followers, a secret that is about to come storming through the fence to wipe out this last, fragile remnant of humanity.

Blake Crouch’s electrifying conclusion to the Wayward Pines Series―now a Major Television Event Series debuting Summer 2014 on FOX―will have you glued to the page right down to the very last word.

  • Sales Rank: #387135 in Books
  • Brand: Crouch, Blake/ Garcia, Paul Michael (NRT)
  • Published on: 2015-05-05
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 3
  • Dimensions: 6.61" h x .56" w x 5.80" l, .20 pounds
  • Running time: 25 Hours
  • Binding: MP3 CD

About the Author
Blake Crouch was born in the North Carolina piedmont in 1978. He earned his undergraduate degrees in English and creative writing from the University of North Carolina-Chapel Hill, publishing his first two novels within five years of graduation. Since then he has published eight additional novels as well as multiple novellas, short stories, and articles. His novels Fully Loaded, Run, and Stirred, which was co-written with J. A. Konrath, have each earned spots in the top ten of the Kindle bestseller list. Three novels, one novella, and one short story have all been optioned for film. He lives today in Durango, Colorado.

Paul Michael Garcia, an AudioFile Earphones Award winner and former company member of the Oregon Shakespeare Festival, received his classical training in theater from Southern Oregon University, where he worked as an actor, director, and designer.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great series. Especially as an Audiobook.
By Brian Alverson
I absolutely loved this series. I was riveted from the beginning til the end. The 3-in-1 Audiobook was an amazing deal.

0 of 0 people found the following review helpful.
Four Stars
By JODY A HALL
Not the best voice but read well, never got tired of it. Listened in car, at work etc...

0 of 0 people found the following review helpful.
Wow, what an imagination A+++++
By Darrell Graham
Wow, what an imagination, well worth your time

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Kamis, 23 Agustus 2012

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Manager par l'approche systémiqueFrom Editions D'Organisation

2

  • Sales Rank: #13478567 in Books
  • Original language: French
  • Number of items: 1
  • Dimensions: 6.69" h x .83" w x 9.45" l,
  • Binding: Paperback

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