Kamis, 27 September 2012

[B670.Ebook] Free PDF SOLIDWORKS 2015: A Power Guide for Beginner and Intermediate Users

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SOLIDWORKS 2015: A Power Guide for Beginner and Intermediate Users

  • Published on: 1800
  • Binding: Paperback

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Sabtu, 22 September 2012

[F618.Ebook] Download PDF Oxygen: A Four Billion Year History (Science Essentials), by Donald E. Canfield

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Oxygen: A Four Billion Year History (Science Essentials), by Donald E. Canfield

The air we breathe is twenty-one percent oxygen, an amount higher than on any other known world. While we may take our air for granted, Earth was not always an oxygenated planet. How did it become this way? Donald Canfield--one of the world's leading authorities on geochemistry, earth history, and the early oceans--covers this vast history, emphasizing its relationship to the evolution of life and the evolving chemistry of the Earth. Canfield guides readers through the various lines of scientific evidence, considers some of the wrong turns and dead ends along the way, and highlights the scientists and researchers who have made key discoveries in the field. Showing how Earth's atmosphere developed over time, Oxygen takes readers on a remarkable journey through the history of the oxygenation of our planet.

  • Sales Rank: #1026496 in Books
  • Published on: 2015-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .60" w x 6.10" l, .0 pounds
  • Binding: Paperback
  • 216 pages

Review
Winner of the 2014 ASLI Choice Award, Atmospheric Science Librarians International
One of Nature.com's Top 20 Reads for 2014
One of Science Friday's Best Science Books of 2014

"His excellent descriptions of the scientific process show how competing hypotheses, and the scientists who present them, vie for supremacy. Canfield also offers a philosophical perspective: scientific understanding provides true insight into the structure of the natural world."--Publishers Weekly

"Engaging and authoritative."--Nature

"An ecologist's ambitious, engrossing primer on the key atmospheric element, ranging from the 'great oxidation event' to photosynthesis."--Barbara Kiser, Nature

"Concise and easily read, Oxygen provides an ideal starting block for those interested in learning about Earth's O2 history and, more broadly, the function and history of biogeochemical cycles. . . . The endnotes provide valuable entries for readers who wish to explore particular points in greater depth and, in other cases, enable brief digressions for interesting personal notes without disrupting the logical thread of a given concept. And the detailed bibliography captures a vast swath of the relevant primary literature. I highly recommend Canfield's book for anyone with even a remote interest in Earth history, as O2 singularly encompasses much of what makes our planet special."--Woodward W. Fischer, Science

"Oxygen takes readers on a remarkable journey through the history of the oxygenation of our planet."--Devorah Bennu, GrrlScientist at The Guardian

"This is the sort of science writing we would all do well to read more of. . . . Engage[s] with the ambiguity of a world where evidence is imperfect, knowledge evolves, and mistakes can be made in interpreting the data."--Ian Scheffler, Los Angeles Review of Books

"Oxygen: A Four Billion Year History will be an entertaining and informative read, however, for anyone with a serious interest in the long-term history of the Earth: students contemplating working in the area and specialists in related disciplines as well as engaged general readers."--Danny Yee, Danny Reviews

"Written as an accessible introduction, with anecdotes sprinkled throughout, bringing the scientists' personalities to life. . . . It would make a solid overview for any university biology or geology student."--Wade M. Lee, Library Journal

"Scientific understanding of the role of oxygen in the ancient oceans and atmosphere has taken major steps forward only recently; this book . . . is written by a man who made significant contributions to this new understanding. Canfield wrote a seminal paper on ancient ocean chemistry and has spent his career studying the geochemistry of lakes and oceans. . . . To make the discussion more accessible to nonscientists, the technical portions of the discussion are provided as notes at the end of the book."--Choice

"Given the complexity and breath of the material, the narrative has a light touch and is scattered with anecdotes about the scientists and adventures involved in the story, giving a real sense of the human endeavor. As well as the fascinating subject matter itself, the overriding impression is one of exhilaration and sheer enjoyment in pursuing this most fundamental, yet challenging, of scientific quests. Highly recommended."--Chemistry World

"Canfield shows us how his science is done, and weaves together molecular biology, geology, geochemistry to tell this history of the air we breathe."--David L. Kirchman, Key Reporter

From the Back Cover

"With humor and humanity, Oxygen captures the excitement of scientific discovery and describes the amazing natural history of how Earth's oxygenated atmosphere came to be."--Ed DeLong, Massachusetts Institute of Technology

"A fascinating, accessible tour through the history of atmospheric oxygen, written by one of the world's top geobiologists. Canfield takes the reader from the anaerobic early Archean Earth up through the modern highly oxygenated environment, providing pointers to the relevant scientific literature along the way. Even experts in this field will learn things from his book."--James Kasting, author of How to Find a Habitable Planet

"In Oxygen, Don Canfield recounts two epics in one--the evolution of breathable air over the entirety of Earth history, and the equally engaging account of how scientists have reconstructed this history from chemical details in ancient rocks. Even those who know the story well, or think they do, will find much food for thought."--Andrew Knoll, Harvard University, author of Life on a Young Planet: The First Three Billion Years of Evolution on Earth

"Canfield takes us on a journey through the discovery of what produces oxygen, how oxygen evolved on the planet, and how that evolution influenced other aspects of planetary evolution. An enjoyable book."--Lee Kump, coauthor of The Earth System

"This is a wonderful introduction to the most important event in Earth history--the rise of oxygen in the atmosphere. Canfield shares his broad and deep grasp of the field, his research leadership, his respect and admiration for the work of others, and his excitement and healthy skepticism about what we know--and still need to know."--Timothy W. Lyons, University of California, Riverside

About the Author
Donald E. Canfield is professor of ecology at the University of Southern Denmark.

Most helpful customer reviews

20 of 21 people found the following review helpful.
5 Stars for Information, 1 Star for Communication
By Roger Sweeny
I would recommend this book to geology grad students, advanced chemistry majors, the many PhDs, post-docs, and professors whose research is mentioned, and people who are willing to stop often, do some outside research, figure out exactly what the author is saying, think about how it fits with the rest of the book, and continue reading. I would not recommend it to the proverbial “intelligent layman”–even if that person had some background in chemistry and biology and geology. If you think the word diagenetic (which Canfield uses without definition) has something to do with the double helix, this book is probably not for you.

Canfield really knows his stuff. There is an awful lot here about how much oxygen was in the earth’s atmosphere when, and what processes might be responsible.

But, OMG, there are so many problems with the writing and organization. Orson Scott Card’s one star review is unfair (it is NOT easy to make all this information “entertaining and absolutely clear”) but his statement about “telling things way out of order and assuming knowledge that most readers won't have” rings true. Canfield needs to explain things early, in a way that readers can understand and use for the rest of the book. E.g.,what does it mean to say “sulfate is reduced to pyrite” and why does it matter?; what is the difference between ferrous and ferric iron and why does it matter? This one made me crazy: On pages 89 and 90 (out of 158) are a series of paragraphs about the chemistry of iron. “To understand this,” he begins, “we need to know something about the chemistry of iron (Fe).” But he’s been talking about iron reactions for a good deal of the last 89 pages–as if we not only know something about the chemistry of iron but know a lot! Why the bleep are these paragraphs more than halfway through the book?

It IS hard to write a book like this. You have to make lots of decisions about what ideas to introduce when, and how much detail to go into. Canfield has chosen poorly for people who aren’t “in the business.” Reading the epilogue, which is sort of a summary earth history, I wondered how much better the book could have been if he had started with this, suitably expanded and explained: “what I think happened”–and devoted the rest of the book to what the research says: “why I think it happened.”

19 of 23 people found the following review helpful.
Note from Publisher
By P. Treadwell
Unfortunately the rights holder to Plate 5 was not willing to grant rights to include it in the digital edition. We share the customer's frustration, but many readers who prefer Kindle to print are enjoying the book in spite of this one missing illustration.

8 of 9 people found the following review helpful.
Distracted by the academic chit-chat
By Little Teacher on the Prarie
I found Canfield's obsession with inclusion of academic chit-chat and academic crediting in the text to be distracting, not endearing as he perhaps intended. I spent years in academia and I understand it is important to give out atta-boys and atta-girls, but not in the middle of the story. Save it for publication in specialist academic journals where such score keeping really matters and keep it in footnotes in a book like this aimed at a wider audience. For an example, see p. 43 and the digression on hotel repairs by his mentor Dave Des Marais.

A glossary would have been helpful, too. I've also been reading Nick Lane's book on oxygen for an overlap in coverage, which is a much more no-nonsense style of writing.

See all 27 customer reviews...

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Senin, 10 September 2012

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Scranimals, by Jack Prelutsky

We're sailing to
Scranimal Island,
It doesn't appear on
most maps....

Scranimal Island
is where you will find
the fragrant RHINOCEROSE,
the cunning BROCCOLIONS.
And if you are really, really lucky
and very, very quiet,
you will spot
the gentle, shy PANDAFFODIL.
(You may even hear it yawning
If the morning's just begun,
Watch its petals slowly open
To embrace the rising sun.

So put on your pith helmet and prepare to explore a wilderness of puns and rhymes where birds, beasts, vegetables, and flowers have been mysteriously scrambled together to create creatures you've never seen before -- and are unlikely to meet again! Your guides -- Jack Prelutsky, poet laureate of the elementary school set, and two-time Caldecott Honor artist Peter Sis -- invite you to join them on an adventure you will never forget!

  • Sales Rank: #8853125 in Books
  • Brand: Brand: Greenwillow Books
  • Model: FBA-|276565
  • Published on: 2002-09-03
  • Released on: 2002-09-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .34" w x 11.00" l, 1.27 pounds
  • Binding: Library Binding
  • 48 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Poet Jack Prelutsky again pairs up with two-time Caldecott Honor artist Peter Sís to create Scranimal Island, a fantastical, off-the-map place inhabited by unusual animals from Hippopotamushrooms to Potatoads to a pride of Broccolions. A boy and girl on a scooter, equipped with essentials from umbrella to inner tube, fly from habitat to habitat over Sís's dreamy, mountainous landscapes à la Tibet: Through the Red Box. They make their way through the clutch of Spinachickens, past the Camelberta Peaches to the "Sweet Porcupineapple, / Unflappable chap, / You happily amble / All over the map." Prelutsky's biological inventions are as clever as they are silly, and it's wonderful that kids are allowed to figure out the hybrid themselves in Rhinocerose, Cardinalbacore, etc. Prelutsky's glee is contagious, and kids will get a kick out of the wordplay in poems like "Oh Sleek Bananaconda": "You slither on your belly, / And you slither on your chin. / You're only unappealing / As you shed your slinky skin." Pronunciation guides for each creature garnish each page, in case you can't pronounce Toucanemones right off the bat, and an iconic guide to the island's animals adorns the table of contents page. Gorgeous endpapers reveal Sís's map of Scranimal Island and its curious denizens. It's impossible to pick a favorite, between the unbelievably cute Pandaffodil and the detested Radishark. Highly recommended. (Ages 6 to 10) --Karin Snelson

From Publishers Weekly
The meisters of madcap are at it again. This time, Prelutsky and Sis (The Dragons Are Singing Tonight) head off on safari to Scranimal Island, an exotic spot full of odd hybrid creatures just ripe for their devious brand of silliness. Whether tracking a caravan of Camelberta Peaches ("All have humpy, bumpy backs, Stocked with water, juice, and snacks, So the creatures never need Wonder where to drink or feed"), avoiding the clutches of the dread Radishark ("Its appalling, bulbous body Is astonishingly red, And its fangs are sharp and gleaming In its huge and horrid head") or spying on the Bananaconda ("How sinuous and sly you are, How slippery, how yellow"), they scramble up a smorgasbord of flora and fauna. Prelutsky tweaks language with his characteristic glee, wedging in plenty of humor ("Poor Avocadodos, Ungainly and green, You're gone from today's Biological scene") and, as always when Si s is on board, his exquisite artistry raises the bar, adding depth to Prelutsky's light verse. Plying his trademark delicate line and crosshatching, Si s sets off the fantastic creatures against spare, expansive vistas, investing the muted ink-and-watercolor illustrations with a quizzically visionary style. A pair of brightly clad young explorers lurk at the edge of each scene, adding a droll visual grace note. All ages.
Copyright 2002 Cahners Business Information, Inc.

From School Library Journal
Grade 2-5-Prelutsky introduces the curious inhabitants of Scranimal Island through his skillful and captivating poems. The creatures, such as the Mangorilla and Orangutangerine, are each a cross between an animal and a fruit, vegetable, or flower, and behave accordingly. For instance, "On a bump beside a road/Sits a lowly POTATOAD,/Obviously unaware/Of its own existence there./On its coarse and warty hide,/It has eyes on every side,/Eyes that fail, apparently,/To take note of what they see." S's's illustrations are a wonderful combination of the eerie and humorous (readers might be reminded of his fantastical island in Komodo! [Greenwillow, 1993]), and give children a visual clue as to the creature's elements, in case they haven't figured it out yet. (A rebus-like chart on the back cover is more explicit, illustrating "potato + toad = potatoad", etc.) Hippopotamushrooms smile benevolently from their forest floor, the Pandaffodil munches bamboo beatifically, majestic Broccolions stalk the lithe Antelopetunia. These black-line and watercolor illustrations in a light palette take up three-quarters of each spread; the verses, in large and legible black type, accompany them on a pastel-tinged antique paper background. On occasion on this island, readers may come across a creature that is a cross of two animals (no plant matter involved), such as the Ostricheetah or the Stormy Petrelephant. Though as eloquently described, they are simply not as funny as the Porcupineapple or the Avocadodos, and somehow spoil the fun. The point of nonsense, after all, is to stick to the rules-just, the wrong rules. Nevertheless, Prelutsky and S's have pulled off something great here-it is their best collaboration to date.
Nina Lindsay, Oakland Public Library, CA
Copyright 2002 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Fantastic read for children of all ages
By Amazon Customer
Jack Prelutsky books have become a special bond between my 6 year old son and I. He has this book, Behold the Umbrellaphant, and Stardines, and we both love the silly poetry. We both also like music, so the rhythm of the poems is fun as we can almost sing it. He loves the wackiness and thoroughly enjoys the pictures. The silly names of the animals are fun for him to try and sound out, so not only is it fun for me to read to him, but he also is learning about words as he reads it to me, without even realizing it. I'd buy any book by Prelutsky and recommend them for anyone with children of any age (my 10 year old daughter loves them as well).

0 of 0 people found the following review helpful.
Great book
By Kate W.
My son loves this book. Such a silly mix up of animals and food, with very catchy rhymes. My 3.5 yr old has most of them memorized and does not tire of hearing them again and again. It has also helped to broaden his vocabulary. So happy Amazon had it in hardcover, the first time I looked for it, a few months back, I could only find paperback.

0 of 0 people found the following review helpful.
Learning about literature while having fun? You bet!
By amanooensis
I was intrigued and amused to see another reviewer say her children were obsessed with "Scranimals" -- because that's the same reaction we got with our kid!

Jack Prelutsky evidently knows the secret of how to captivate children, especially when teamed up with illustrators like Peter Sis. Nearly every Prelutsky book that enters our home gets the same treatment: fascination, amusement, and above all, lots of reading and re-reading.

One might say that this is not Prelutsky's most ingenious work, since it's basically a single concept stretched out into a series of variations, not all of which are equally clever. But there's more to it than that. The illustrations are compelling and fun. And much of the poetry is more highly-crafted than one might expect, given the silly first impression the book makes.

A great example is the description of the "Bananaconda" (that word alone always makes ME laugh!) in which the author slathers syballant syllables in silly sequences. I took the opportunity to point out to our first-grader how a poet describes things differently than other kinds of writers.

I then read it aloud to demonstrate that point, sssimply by exsstending each of the esses on the page. At that point, most kids can make the connection between the sound of the words, and their understanding of "S" as the sound made by a snake -- something many of them learn in preschool, if not earlier.

And of course those words were written ABOUT a snake. For a kid to learn that words can have multiple layers of meaning, and to learn that concept at such an early age... well, that's really something. And Prelutsky is one of the best at delivering that kind of depth, even when combined with utter silliness.

In short, Scranimals is definitely a worthy addition to any child's collection, at nearly any age.

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Jumat, 07 September 2012

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The Story of Prophecy, by Hannah Grad Goodman



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The Story of Prophecy, by Hannah Grad Goodman

  • Sales Rank: #3698777 in Books
  • Published on: 1965
  • Number of items: 1
  • Binding: Hardcover
  • 248 pages

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0 of 0 people found the following review helpful.
Great book to gain an understanding of the prophets
By Josh Morris
This was an easy to read (7th-8th grade level) book, that led the reader through the writings of the prophets. The author explained prophecy in the Jewish context and she explained historically what the prophets were talking about coming full circle to reveal the modern relevancy of the prophet's writings.

I highly recommend this book. Gaining an understanding of the prophets has given me an even greater appreciation for Judaism and a greater love for our prayer books (which contain many references to writings of the prophets).

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Senin, 03 September 2012

[R774.Ebook] Download PDF On Film-making: An Introduction to the Craft of the Director, by Alexander Mackendrick

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On Film-making: An Introduction to the Craft of the Director, by Alexander Mackendrick

On Film-making: An Introduction to the Craft of the Director, by Alexander Mackendrick



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On Film-making: An Introduction to the Craft of the Director, by Alexander Mackendrick

A priceless examination of the filmmaker's craft, from the renowned director of Sweet Smell of Success

After more than twenty years in the film industry as a screenwriter, storyboard editor, and director of memorable films such as The Ladykillers, Alexander Mackendrick turned his back on Hollywood and began a new career as the Dean of one of the country's most demanding and influential film schools. His absolute devotion to the craft of filmmaking served as a powerful impetus to students at the California Institute for the Arts for almost twenty five years, with a teaching style that included prodigious notes, neatly crafted storyboards, and handouts containing excerpts of works by Kierkegaard, Aristotle, and others. At the core of Mackendrick's lessons lay a deceptively simple goal: to teach aspiring filmmakers how to structure and write the stories they want to tell, while using the devices particular to the medium of film to tell their stories effectively.

In this impressive volume, edited by Paul Cronin, the myriad materials that made Mackendrick's reputation as an instructor are collected for the first time, offering a chance for professionals as well as students to discover a methodology of filmmaking that is challenging yet refreshing in its clarity. Meticulously illustrated and drawing on examples from such classic films as North by Northwest, Citizen Kane, and Touch of Evil, Mackendrick's elegant lessons are sure to provide inspiration for a new generation of filmmakers.

  • Sales Rank: #15819 in Books
  • Published on: 2005-08-31
  • Released on: 2005-08-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.95" h x .96" w x 5.97" l, 1.15 pounds
  • Binding: Paperback
  • 336 pages

About the Author

Alexander Mackendrick directed several films, including The Man in the White Suit, which earned him an Oscar Nomination for Screenwriting. He died in 1993.

Paul Cronin is the editor of Herzog on Herzog.

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43 of 47 people found the following review helpful.
How To Make Movies, Good Movies
By Rob Hardy
Shaw said, "Those who can, do; those who can't, teach." In a strange way, Alexander Mackendrick fits both sides of that dictum. "Sandy" Mackendrick was an accomplished film director. After having worked in advertising, he started making films for the British Government during World War II. After the war he wrote scripts and he began directing. For the Ealing Studios, he made _Whiskey Galore!_, _The Man in the White Suit_, and _The Ladykillers_. Then he came to Hollywood, where he made the wonderfully biting _Sweet Smell of Success_. He could direct fine movies, and he did; but then he slipped into the "can't do" category, not for any lack of talent, but because he was not much of a deal-maker, and resented having to negotiate details with the studios. He started teaching, becoming dean of the film school at the California Institute of the Arts in 1969. He continued teaching until his death in 1993, but now filmmakers and audiences can get a glimpse of what he taught, in _On Film-making: An Introduction to the Craft of the Director_ (Faber and Faber). It is a sampling of his lecture handouts, some illustrated by his own sketches, that he delivered to students over the years, and shows the richness of his thinking on the surprising complexities of artistic decisions regarding even simple shoots on tiny films. Those who enjoy movies, but don't know much about how they are made, will be astonished at how many details of technique the director has to consider before anyone yells "Action!" Those who make movies, or want to, could not do better than to study what Mackendrick has to say.

Mackendrick emphatically agrees with Truffaut, who in his interview book with Hitchcock wrote, "Whatever is _said_ instead of being _shown_ is lost on the viewer." (One of Mackendrick's many slogans: "Movies SHOW... and then TELL.") Always, regard to the audience is paramount: "Try to tell the story while always remembering that the audience has somewhere better to go and something better to do." Like a good storyteller, use curiosity, expectation, and suspense to keep them buttonholed. The reader of this book will want to be familiar with certain films to which Mackendrick returns again and again, like _The Third Man_ or _On the Waterfront_, but not all the cinema is fine cinema. In a chapter titled "Plausibility and Willing Suspension of Disbelief," he discusses the sci-fi film _Them!_ which he says is a "piece of nonsense" but shows solid, simple plot mechanisms, and follows the rule that "we are allowed only one major Incredible Thing" (Giant ants are invading!) while "everything else in the story should actually be logical, even over-logical." There is rich advice about dealing with actors. A student who asked, "How does a director get an actor to do what he wants?" took Mackendrick off guard, as he had never asked the question in those terms. It's the wrong question. "You don't," came the eventual answer, "You try to get the actor to want what you need."

Mackendrick knows you can't teach the art and inspiration that directors have to have intuitively, though there is a useful chapter titled "A Technique for Having Ideas." The craft involved in direction, though, has a possibility of being taught, and he has here covered the craft from scriptwriting through editing. I only sit in audiences for films (and the intimidating muster of factors Mackendrick brings up that the director must consider tells me I am in the right spot in front of the screen, not behind the camera), but I have a much better appreciation for what a director does after reading these fine instructions. I also wish that every director now working would simply follow these rules. The principles here, if followed universally, would benefit directors, audiences, and the quality of Hollywood's output, not to mention its bottom line.

23 of 24 people found the following review helpful.
One of the very best books on filmmaking
By Nathan Jongewaard
I have read many books on filmmaking and I have a film school degree (from CalArts, as it happens, where Mackendrick once taught). You can't learn filmmaking from a book or from school, only by making films. Nevertheless, "On Film-making" comes as close as any book I've ever found to explaining precisely and beautifully the work of a film director. Whether you want to make films or are simply a film fan, this book will be an immensely rewarding and illuminating experience.

6 of 6 people found the following review helpful.
A great book for writers, not just directors
By The Doogster
I've got over fifty books dealing with all types of writing (screen, novels, TV), and this is one of only a handful I consider truly essential. The first half of the book examines screenplays. Most books on filmmaking give only a cursory glance at the screenplay, but we writers know that the screenplay is the most important part of the film, don't we!

Mackendrick is one of an elite group of filmmakers who excelled in both screenwriting and directing. His insights are profound. His "writer's wall" quotes are equal to the entire content of many other books on screenwriting.

Mackendrick is basically the bridge between classical and modern cinematic writing. He emphasises that what is going to happen NEXT, as opposed to what is happening NOW, is the core of good storytelling. He also teaches that the preparatory period before a significant event AND the after effects of that event are equally or more dramatically significant than the actual event itself (as demonstrated by a movie like Reservoir Dogs). Mackendrick's book is one of the few which covers such advanced concepts as negative action, activity versus action, and plot density. The only area I don't agree with him is his dislike of flashbacks (although he has valid reasons).

I judge a book by how many notes I take when reading it. I took a lot of notes when reading this one. Now go and buy it!

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